Jurassic World: Fallen Kingdom’s Subtitle Best Sums up the State of the Franchise

½

If one already were to think that the previous Jurassic World film was bad enough, somehow Jurassic World: Fallen Kingdom makes said film feel even less lamentable in retrospect. With the predecessor having built itself on cynically cashing in on what were the most memorable moments from the original Jurassic Park film, Jurassic World: Fallen Kingdom seems to go a complete 180 on its predecessor and somehow managed to leave behind something that was even worse. I was hoping that I could at least doubt that something much worse could come forth given the fact that this was directed by J. A. Bayona, and somehow I found myself deceived the moment I had come out. The idea of a director like Bayona offering his own take on the Jurassic Park franchise was one that almost seemed too good to be true and to say the least, my suspicions were only proven right.

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Heat – Review

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There are two sides to the battle as portrayed in Michael Mann’s epic crime drama Heat that grants it the title of being one of the best films of its own time. Putting Al Pacino and Robert De Niro together for once after their share from The Godfather: Part II, what we have now is a different crime saga, but one within the streets of Los Angeles. Under the hands of any other filmmaker, Heat could almost have found itself falling in the same category as just about any other cops-and-robbers tale, but there’s a great sense of humility present in the way that Michael Mann is telling his own story that ultimately has made his work one of the defining works of its era. Michael Mann’s Heat doesn’t simply carry its own weight through a sense of the action, its strength lies inside the morality at play.

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The Silence of the Lambs – Review

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NOTE: Jonathan Demme passed away on April 26, 2017, and this review is dedicated to his memory.

In the history of the Academy Awards only three films have managed to sweep up the Big Five, and the most recent one to hold such a distinction is none other than Jonathan Demme’s The Silence of the Lambs. It was at the point where Demme was making a name for himself through the comedy films Melvin and Howard and Something Wild or documentaries such as Stop Making Sense. Within the many years that have come by, The Silence of the Lambs has already become widely seen as Demme’s best known film together with the most widely celebrated cinematic portrayal of Hannibal Lecter – for good reason. The greatest joy that Demme presents in The Silence of the Lambs doesn’t come from the consequence of event but how it works its way into one’s mind the way Hannibal Lecter finds his way under another’s skin just as the very best thrillers do just as The Silence of the Lambs is indeed deserving of every bit of its own reputation as one of the best films of its own period.

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