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  October 6, 2025

  TIFF 2025 — ‘John Candy: I Like Me’ Review: A Celebration of a Canadian Legend

  Nathan Sherwood

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  October 6, 2025

  TIFF 2025 — ‘Carolina Caroline’ Review: Bonnie and Clyde with a Modern Edge

  Jack Cox

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  October 1, 2025

  TIFF 2025 — ‘Fuck My Son!’ Review: You Read the Title, You Know What You’re Getting

  Nathan Sherwood

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  October 1, 2025

  TIFF 2025 — ‘Hedda’ Review: Filmed Theatre Done Wonderfully

  Connor Walsh

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  September 26, 2025

  TIFF 2025 — ‘The Testament of Ann Lee’ Review: A Sensory Hymn to Faith and Devotion

  Jack Cox

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  September 26, 2025

  TIFF 2025 — ‘Frankenstein’ Review: Guillermo del Toro Turns Mary Shelley’s Iconic Tale into His Own Fairy Tale

  Jaime Rebanal

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  September 25, 2025

  TIFF 2025 — ‘Roofman’ Review: An Outrageous True Story Gets Told As It Sounds

  Jaime Rebanal

• 

  September 25, 2025

  TIFF 2025 — ‘No Other Choice’ Review: Park Chan-wook Skewers the Job Market

  Jaime Rebanal

• 

  September 24, 2025

  TIFF 2025 — ‘Good News’ Review: Airline Disaster Becomes a Funny Treatise on Government Incompetence

  Connor Walsh

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  September 22, 2025

  TIFF 2025 — ‘Mile End Kicks’ Review: Growing Pains in Montreal’s Indie Rock Scene

  bodesulaiman