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tiff

  • ‘The Substance’ TIFF Review: The New Flesh Lives On
    September 19, 2024

    ‘The Substance’ TIFF Review: The New Flesh Lives On

    Jaime Rebanal
  • ‘The Life of Chuck’ TIFF Review: An Incredibly Optimistic Portrait of an Ordinary Life
    September 12, 2024

    ‘The Life of Chuck’ TIFF Review: An Incredibly Optimistic Portrait of an Ordinary Life

    Jaime Rebanal
  • ‘The End’ TIFF Review: You’ll Want It to End Before It Ends
    September 12, 2024

    ‘The End’ TIFF Review: You’ll Want It to End Before It Ends

    Jaime Rebanal
  • ‘Anora’ TIFF Review: A Sex Worker’s Tragicomic Fairy Tale
    September 9, 2024

    ‘Anora’ TIFF Review: A Sex Worker’s Tragicomic Fairy Tale

    Jaime Rebanal
  • ‘Hit Man’ TIFF Review: An Action Story Too Good to be True
    December 29, 2023

    ‘Hit Man’ TIFF Review: An Action Story Too Good to be True

    Jaime Rebanal
  • ‘About Dry Grasses’ TIFF Review: A Meditative Breakdown of Selfishness
    December 11, 2023

    ‘About Dry Grasses’ TIFF Review: A Meditative Breakdown of Selfishness

    Jaime Rebanal
  • ‘Evil Does Not Exist’ TIFF Review: A Peaceful, Smaller Fare for Hamaguchi
    November 15, 2023

    ‘Evil Does Not Exist’ TIFF Review: A Peaceful, Smaller Fare for Hamaguchi

    Jaime Rebanal
  • ‘The Boy and the Heron’ TIFF Review: Late-Period Miyazaki Reminiscing About His Youth
    November 14, 2023

    ‘The Boy and the Heron’ TIFF Review: Late-Period Miyazaki Reminiscing About His Youth

    Jaime Rebanal
  • ‘Dream Scenario’ TIFF Review: Nicolas Cage is the Man of Everyone’s Dreams
    November 6, 2023

    ‘Dream Scenario’ TIFF Review: Nicolas Cage is the Man of Everyone’s Dreams

    Jaime Rebanal
  • ‘Quiz Lady’ TIFF Review: Thirty Seconds and Good Luck, With Asian-American Women
    November 5, 2023

    ‘Quiz Lady’ TIFF Review: Thirty Seconds and Good Luck, With Asian-American Women

    Jaime Rebanal
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