Julian Schnabel's take on the tormented artist finds beauty in a lack of flow.
In which Jaime Rebanal reminisces over the many cinematic highlights to come by in 2018.
One of the most exciting years for cinema, yet a strange year for awards season.
Martin Scorsese's controversial 1988 film is perhaps the director at some of his most spiritual.
Wes Anderson being the most Wes Anderson he's ever been. (✯✯✯✯✯)
One knows already how predictable the Academy Awards can become after the route of the Golden Globes and the SAG Awards among many more, but in the 90 years that we have seen them moving onward, what they had managed to turn forth was not only one of the strongest lineups in a while but [...]
Another year is complete, but not without having talked about the wonderful experiences we've had at the cinemas. Together with the not-so-wonderful films. But alas, this has been an extraordinary year for films for the highlights still managed to stick their landing inside of our minds – and the inevitable "what about such and such?" [...]