Jaime’s Film Diary: March 15, 2020

As expected, I’ve been keeping my Letterboxd up to date – so here’s yet another update for here in regards to what I have been watching as of late.

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Wings of Desire – Review

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A good amount of my own life had been spent under the care of my devout Roman Catholic grandmother. When I finally entered high school, I had begun to move away from that lifestyle. As I moved away from that lifestyle I had only found myself growing into a less religious person but I never found myself turning into an atheist all the way, rather instead I happen to be an agnostic. Part of me believes that something is watching me performing an everyday activity and is able to read my thoughts. The one thing I ask myself is what do they do with it? I ask myself this rather frequently because I’m always thinking about what happens after I die, and I can’t commit to atheism in that sense. I can’t commit because I feel another presence even when I’m alone. One I wish to speak to, and maybe they had something to say to us, akin to the angels in Wim Wenders’s Wings of Desire.

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Paris, Texas – Review

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Gracefully slow-moving, much like the flow of the course of life, what Wim Wenders creates and presents in Paris, Texas is one of the most beautifully moving tales that I’ve come across in my whole life so far. Yet reviewing the film was always a struggle, for I get a different perspective on it every time I watch it, but one mutual link between all viewings is that I always come out satisfied. And it’s not merely being satisfied to the degree it’s only a good film, because something as astonishingly gorgeous as this means so much more. Paris, Texas only grows to captivate me more upon each revisit, and it’s a feeling I can’t possibly describe any better. A feeling that comes only from experiencing the power left behind by Paris, Texas and not merely from alone just watching the film take place on the screen. Continue reading →