‘Triangle of Sadness’ TIFF Review: Palme d’Or Winning Satire Comes Packaged Without Filter


Ruben Östlund wins the Palme d’Or at Cannes again, following his first win with 2017’s The Square – and he certainly hasn’t gotten any less vicious ever since. With Triangle of Sadness, Östlund goes without being filtered, his satire feeling like it’s reached a new height, showing the lifestyles of the rich at their most vulnerable. It’s only the least of where all the riotously funny moments from Triangle of Sadness come about, but watching everything come together is where one could only get the feeling that it’s only playing out like a time bomb and as the audience, you’re waiting for everything to explode at some point or another. And the moment the explosion hits, it’s hard to look away from the chaos.

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Elle Fanning Embodies Pure ‘Teen Spirit’ in Teen Spirit: TIFF Review


I think that a film about a rising teen pop star already finds itself with a very fitting start after it plays a Grimes song during the opening credits. Something that would be rather easy for me to say, because I am a huge fan of Grimes’s music, but how exactly it fits into the context of Max Minghella’s own directorial debut – that’s another story being told. It’s a film that encapsulates what  builds up “teen spirit” in that very sense, of course with being set in the world of music as a perfect support system. Yet there’s something about Teen Spirit that still carries an endearing enough quality, even beyond how much fun writer-director Max Minghella is having with the music scene. But sometimes I wonder if being fond of the music in itself would be critical to one’s own enjoyment of the film, because I already know that sitting there watching Teen Spirit and even wanting to hum to the tunes to I recognized well enough while I was in the theater made me feel like I was really in that moment.

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