Jaime Rebanal

March 20, 2025

‘The Monkey’ Review: Grief as a Child’s Play Thing

Jaime Rebanal
March 15, 2025

‘Mickey 17’ Review: Dying Ain’t Much of a Living

Jaime Rebanal
February 6, 2025

‘Wicked’ Review: Falls Short of Defying Gravity

Jaime Rebanal
February 3, 2025

‘Nickel Boys’ Review: Experiencing the Jim Crow Era Through Another’s Shoes

Jaime Rebanal
January 30, 2025

‘A Complete Unknown’ Review: Mangold Prophesizes With the Pen

Jaime Rebanal
December 24, 2024

‘A Real Pain’ Review: Grieving Can Be Annoying, But It’s What Makes Us Human

Jaime Rebanal
November 24, 2024

‘The Room Next Door’ TIFF Review: Almodóvar’s English Language Debut Is a Solid Melodrama About Mortality

Jaime Rebanal
November 23, 2024

‘Nightbitch’ TIFF Review: Absurdist Motherhood Horror Comedy With Less Bite Than Its Title Suggests

Jaime Rebanal
November 21, 2024

‘Juror #2’ Review: Does Proper Justice Exist For Those Who Can Change?

Jaime Rebanal
November 20, 2024

‘The Brutalist’ TIFF Review: What Does It Take to Be a Great Artist These Days?

Jaime Rebanal