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Cinema from the Spectrum

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Film Reviews

  • Zhang Yimou’s Shadow Takes Too Long Before Getting Exciting: TIFF Review
    January 10, 2019

    Zhang Yimou’s Shadow Takes Too Long Before Getting Exciting: TIFF Review

    Jaime Rebanal
  • Mia Hansen-Løve’s ‘Maya’ Wanders, but Remains Beautiful: TIFF Review
    January 9, 2019

    Mia Hansen-Løve’s ‘Maya’ Wanders, but Remains Beautiful: TIFF Review

    Jaime Rebanal
  • High Life, a Contemplative, Tragic Tale Made Haunting by Director Claire Denis’s Thoughtfulness: TIFF Review
    January 5, 2019

    High Life, a Contemplative, Tragic Tale Made Haunting by Director Claire Denis’s Thoughtfulness: TIFF Review

    Jaime Rebanal
  • Olivier Assayas’s Non-Fiction is a Funny but Empty Comedy: TIFF Review
    January 3, 2019

    Olivier Assayas’s Non-Fiction is a Funny but Empty Comedy: TIFF Review

    Jaime Rebanal
  • The Conformist Review: An Ever-So Damning Portrait of a Descent from Humanity
    January 1, 2019

    The Conformist Review: An Ever-So Damning Portrait of a Descent from Humanity

    Jaime Rebanal
  • Cam and the Horrors Behind an Online Identity: Review
    December 27, 2018

    Cam and the Horrors Behind an Online Identity: Review

    Jaime Rebanal
  • Shoplifters Review: A Heart-Wrenching, Beautiful, Morally Complex Tale of a Family’s Togetherness Amidst Poverty
    December 25, 2018

    Shoplifters Review: A Heart-Wrenching, Beautiful, Morally Complex Tale of a Family’s Togetherness Amidst Poverty

    Jaime Rebanal
  • Experiencing the Greater Hunger in Lee Chang-dong’s Burning: Review
    December 18, 2018

    Experiencing the Greater Hunger in Lee Chang-dong’s Burning: Review

    Jaime Rebanal
  • Adam McKay’s Vice, or How My Hatred For Dick Cheney Only Grows Stronger: A Review
    December 17, 2018

    Adam McKay’s Vice, or How My Hatred For Dick Cheney Only Grows Stronger: A Review

    Jaime Rebanal
  • Good Times are to be Had with Bad Times at the El Royale: Review
    December 16, 2018

    Good Times are to be Had with Bad Times at the El Royale: Review

    Jaime Rebanal
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