Reviews

August 8, 2023

‘Barbie’ Review: Can a Toy Commercial Truly Be Radical?

Jaime Rebanal
August 2, 2023

‘Oppenheimer’ Review: An Apocalyptic, Tragic Vision of a Complicated Genius

Jaime Rebanal
July 5, 2023

‘Indiana Jones and the Dial of Destiny’ Review: The Magic Just Isn’t There Anymore

Jaime Rebanal
July 3, 2023

‘Asteroid City’ Review: Wes Anderson’s Sci-Fi Romp is a Triumph

Jaime Rebanal
June 23, 2023

‘The Night of the 12th’ Review: Unsolved Murder Story Feels as Inconclusive as the Investigation

Jaime Rebanal
June 14, 2023

‘BlackBerry’ Review: Making Entertainment Out of the Ongoing Cell Phone Wars

Jaime Rebanal
June 6, 2023

‘Past Lives’ Review: A Somber Love That Almost Was

Jaime Rebanal
June 5, 2023

‘Tár’ Review: A Mesmerizing Portrait of a Complicated Figure

Jaime Rebanal
June 5, 2023

‘Are You There God? It’s Me, Margaret.’ Review: The (Awkward) Nature of Growing Up

Jaime Rebanal
November 15, 2022

‘The Fabelmans’ TIFF Review: Steven Spielberg’s Bittersweet Ode to the Magic of Movies

Jaime Rebanal