Reviews

November 10, 2019

‘The Irishman’ Review: Martin Scorsese Revisits and Reinvents Familiar Themes in Epic Crime Saga to Wondrous Results

Jaime Rebanal
November 8, 2019

‘News from Home’ Review: Finding Solace in the Alienation from Your So-Called Home

Jaime Rebanal
November 7, 2019

‘Honey Boy’ TIFF Review: An Unflinching, Heart-Wrenching Self-Portrait Unlike Any Other

Jaime Rebanal
November 3, 2019

‘Saint Maud’ TIFF Review: A Paranoid, Horrifying Tale of Devotion from a Brilliant New Voice

Jaime Rebanal
October 21, 2019

‘Children of Men’ Review: Searching for Hope in the Darkest of Times

Jaime Rebanal
October 20, 2019

‘Marriage Story’ TIFF Review: Noah Baumbach at His Most Devastating, Complex, and Thoughtful

Jaime Rebanal
October 19, 2019

‘First Love’ TIFF Review: Takashi Miike’s Touch Still Remains Intact Over 100 Films in His Career

Jaime Rebanal
October 10, 2019

‘The Lighthouse’ TIFF Review: Robert Eggers’s Second Feature is Terrifying and Wholly Gorgeous

Jaime Rebanal
September 30, 2019

‘The Laundromat’ TIFF Review: Soderbergh’s Latest True Story Comedy is a Baffling Joke

Jaime Rebanal
September 29, 2019

‘Lucy in the Sky’ TIFF Review: Noah Hawley’s Directorial Debut Falls Short of the Diamonds

Jaime Rebanal