• 

  September 22, 2025

  TIFF 2025 — ‘Mile End Kicks’ Review: Growing Pains in Montreal’s Indie Rock Scene

  bodesulaiman

• 

  September 19, 2025

  TIFF 2025 — ‘Normal’ Review: Bob Odenkirk Versus America’s Love of the Gun

  Connor Walsh

• 

  September 18, 2025

  TIFF 2025 — ‘Wake Up Dead Man: A Knives Out Mystery’ Review: Benoit Blanc Returns with the Same Tricks

  Nathan Sherwood

• 

  September 17, 2025

  TIFF 2025 — ‘Hamnet’ Review: Making Beautiful Art Informed by Tragedy

  Connor Walsh

• 

  September 16, 2025

  TIFF 2025 — ‘The Furious’ Review: Nonstop Action More Than Makes Up for Weak Story

  Nathan Sherwood

• 

  September 13, 2025

  TIFF 2025 — ‘If I Had Legs I’d Kick You’ Review: Darkly Comic and Unsettling

  Jack Cox

• 

  September 12, 2025

  TIFF 2025 — ‘Motor City’ Review: The Visuals Speak for Themselves

  Connor Walsh

• 

  September 5, 2025

  TIFF 2025 — ‘Nirvanna the Band the Show the Movie’ Review: Back to the Rivoli

  Jack Cox

• 

  September 4, 2025

  TIFF 2025 — ‘It Was Just an Accident’ Review: What is the True Gain from Revenge?

  Jaime Rebanal

• 

  September 4, 2025

  TIFF 2025 — ‘The Secret Agent’ Review: Deconstructing Authoritarianism Through Art

  Connor Walsh