Mia Hansen-Løve's latest film may be small, but feels lovely.
Claire Denis's first English language feature remains every bit as provocative as the French auteur at her very best.
Olivier Assayas being Assayas as always, maybe to a fault.
Bernardo Bertolucci's magnum opus remains untouched so many years later.
This Blumhouse-Netflix venture proves itself as one of 2018's own pleasant surprises.
Nothing can truly break apart a perfect bond, even if the world tries to split it apart in Hirokazu Kore-eda's latest.
Lee Chang-dong's latest mystery thriller gives you all the pieces of a puzzle, but that's only one step closer to all the glory that comes by.