Gus Van Sant's third feature film is no ordinary Shakespeare adaptation.
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This Canadian film about understanding sexual fluidity feels limited in its own scope.
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The X-Men series meets its end but doesn't give the goodbye it promises.
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Jim Jarmusch's zombie comedy doesn't quite do for zombies what Only Lovers Left Alive did for vampires.
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Víctor Erice follows his stellar debut film with one of the most profound and resonant statements to grace the screen.
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Elton John's biopic isn't so much of a biopic, but a beautiful rock fantasy.
