By combining footage of 1970's New York City with letters from Chantal Akerman's mother, the result is a beautiful portrait of alienation.
In heaven, everything is fine. (✯✯✯✯✯)
Translates style into substance in the best way and gets under the skin. (✯✯✯✯✯)
Surreal, entertaining, glorious, and somehow poignant - a wonderful blend. (✯✯✯✯✯)