Satoshi Kon's first feature is an unforgettable, and wholly upsetting ride from beginning to end.
Neil LaBute's feature film debut still stings a great deal today.
Works like a propaganda film, reflecting another sort of truth. (✯✯✯✯✯)
Takes its outer shell in order to subvert it to something darker. (✯✯✯✯)
Never feels afraid in itself to tribute its influences while standing out as its own thing. (✯✯✯✯✯)