Hayao Miyazaki's grand epic is one among the most beautiful films of the 1990's.
Satoshi Kon's first feature is an unforgettable, and wholly upsetting ride from beginning to end.
Neil LaBute's feature film debut still stings a great deal today.
Works like a propaganda film, reflecting another sort of truth. (✯✯✯✯✯)
Takes its outer shell in order to subvert it to something darker. (✯✯✯✯)
Never feels afraid in itself to tribute its influences while standing out as its own thing. (✯✯✯✯✯)