• 

  February 9, 2019

  The Fragmented Beauty of At Eternity’s Gate: A Review

  Jaime Rebanal

• 

  January 31, 2019

  Mary Poppins Returns but Brought Nothing New: A Review

  Jaime Rebanal

• 

  January 30, 2019

  The Joys of Spider-Man’s Long Lasting Legacy with Spider-Man: Into the Spider-Verse: A Review

  Jaime Rebanal

• 

  January 26, 2019

  Cold War Review: A Broken Romance Whose Happiness Evokes Sadness

  Jaime Rebanal

• 

  January 21, 2019

  Luca Guadagnino’s Suspiria is a Beautifully Indulgent Nightmare: Review

  Jaime Rebanal

• 

  January 16, 2019

  Colette Review: A Biopic About Sexual Freedom With One of Keira Knightley’s Best Performances

  Jaime Rebanal

• 

  January 15, 2019

  The Ballad of Buster Scruggs, the Coen Brothers’ Western Anthology Hits and Misses, but Mostly Hits: Review

  Jaime Rebanal

• 

  January 13, 2019

  Bohemian Rhapsody is Insultingly Formulaic and a Vaguely Homophobic Portrait of a Queer Icon: A Review

  Jaime Rebanal

• 

  January 10, 2019

  Zhang Yimou’s Shadow Takes Too Long Before Getting Exciting: TIFF Review

  Jaime Rebanal

• 

  January 9, 2019

  Mia Hansen-Løve’s ‘Maya’ Wanders, but Remains Beautiful: TIFF Review

  Jaime Rebanal