Godzilla (2014) – Review


Was hoping to enjoy it more on this go after having been disappointed from a theatrical viewing, but on a revisit my opinion nevertheless remained the same. Gareth Edwards, a director only known at the time for a small scale science fiction film, Monsters, started off Legendary Pictures’s MonsterVerse on a more middling note than anything. Being the first American Godzilla film after the atrocity that is Roland Emmerich’s film, Edwards seems to have a grasp on what made a great monster film as a whole at least by remaining within the spirit of the original Japanese films – and yet it’s still somewhat lacking. As a star for the MonsterVerse it was intriguing to see what would have come out as a result from Godzilla but the most it evokes is that it’s just desperate to start up an entire series of films rather than standing out on its own: which I suppose I can get behind with what more it teases.

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Nocturnal Animals – Review


It’s frustrating enough when one of the films you anticipate most turns out to be an underwhelming treat. Fashion designer Tom Ford’s sophomore feature takes a different route from his brilliant debut, A Single Man, and now in a means of broadening his stroke he takes Austin Wright’s novel Tony and Susan and adapts it to the screen as Nocturnal Animals. I really hate being that person again but even though I know this has captured nothing but great admiration from fans of Ford’s previous effort but I ended up finding this to be such a disappointing follow-up. With so much that could so easily catch admiration even on my own end, it’s shocking how so little feels delivered.

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