Sofia Coppola’s Marie Antoinette Lives in the Glamour to the Fullest


Sofia Coppola’s body of work has always remained intriguing even when she isn’t exactly the most consistent filmmaker. It’s hard enough to imagine how she can follow up a film as beautiful as Lost in Translation but there was always the certain fear that after having directed her best film she would turn out another effort that proves itself hugely underwhelming and with Marie Antoinette comes the film that consensus has agreed upon as their worst effort to date but I also think it also makes a great case as to why her work is so intriguing. Given what would be expected of a period piece, especially one about the ill-fated Queen of France, it seems only fitting that Sofia Coppola took this outline and directed a film that details her life the way that one would only be able to imagine it must have been from her very own eyes, rather than one that sticks to tradition.

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Boarding Gate – Review


My great admiration for Olivier Assayas’s films has only pushed me further to getting around to Boarding Gate in spite of its mixed reception after finding nothing but excellence in another fairly polarizing effort in his body of work, Demonlover. If a pairing of Asia Argento and Michael Madsen could not even manage to make what should sound thrilling any more than such, where did everything go wrong? Soon I remembered that there was a commentary behind Demonlover which at least granted even more intrigue for the material it was presenting but memories of Something in the Air came by, for this may be the worst Olivier Assayas film I’ve come around to.

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