Colin Trevorrow’s debut film Safety Not Guaranteed was a film I remember having enjoyed upon my first sighting of it, when I was going out of my way to seek out quirky independent films as a means of passing time. Coming back to it now after seeing what more had Colin Trevorrow become after the abysmal nostalgia-sucking experience of Jurassic World didn’t help any better, for what I’ve once seen in Safety Not Guaranteed now comes off as a stereotypical indie film just the way I see everything coming about. The quirky characters and equally quirky premise, starring actors who’ve already made names for themselves in other smaller films – this easily could be great. But after a long period of time having gone without seeing Safety Not Guaranteed only ever showed an incomplete film to my very own eyes, in the sense that it seems to build up to become so much more – and then suddenly everything just stops.
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The most basic comic book movies prominent today come from the likes of Marvel and DC, but Edgar Wright bests all of them with Scott Pilgrim vs. the World. But for as much as I love Edgar Wright, I’ve always underrated this film since the first day considering I merely came in as a prominent Nintendo gamer and of course in theaters I caught onto the numerous video game references ranging from The Legend of Zelda, Super Mario Bros., and Final Fantasy, but even then, it only came perfectly clear to me I still didn’t “get” what the film was saying. But over the years and a journey through Edgar Wright’s body of work, everything had come clear to me about why Scott Pilgrim vs. the World works as perfectly well as it does and it may also be Edgar Wright’s finest film as a director as of yet. For as wonderful as the Cornetto trilogy may be, this one tops the rest in an instant.
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