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  December 15, 2019

  ‘Raging Bull’ Review: Martin Scorsese at His Most Difficult, Taxing, and Personal

  Jaime Rebanal

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  December 8, 2019

  ‘GoodFellas’ Review: Confronting a Life in False Glamour Right In Front of Your Eyes

  Jaime Rebanal

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  November 10, 2019

  ‘The Irishman’ Review: Martin Scorsese Revisits and Reinvents Familiar Themes in Epic Crime Saga to Wondrous Results

  Jaime Rebanal

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  November 7, 2019

  ‘Honey Boy’ TIFF Review: An Unflinching, Heart-Wrenching Self-Portrait Unlike Any Other

  Jaime Rebanal

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  September 30, 2019

  ‘The Laundromat’ TIFF Review: Soderbergh’s Latest True Story Comedy is a Baffling Joke

  Jaime Rebanal

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  June 6, 2019

  ‘Rocketman’ Review: A Perfect Tribute to a Life Beyond the Yellow Brick Road

  Jaime Rebanal

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  February 9, 2019

  The Fragmented Beauty of At Eternity’s Gate: A Review

  Jaime Rebanal

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  January 16, 2019

  Colette Review: A Biopic About Sexual Freedom With One of Keira Knightley’s Best Performances

  Jaime Rebanal

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  January 13, 2019

  Bohemian Rhapsody is Insultingly Formulaic and a Vaguely Homophobic Portrait of a Queer Icon: A Review

  Jaime Rebanal

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  December 17, 2018

  Adam McKay’s Vice, or How My Hatred For Dick Cheney Only Grows Stronger: A Review

  Jaime Rebanal