‘Little Women’ Review: Greta Gerwig’s Adaptation of a Classic Tale Reaffirms Its Impact


Greta Gerwig’s follow-up to Lady Bird is not the same sort of coming-of-age film that she brought to the screen years two prior, but another adaptation of Louisa May Alcott’s classic story. Although it may be a story that has been adapted numerous times to the screens, whether they be for television or for the cinema, it carries a timeless quality to it that only makes it feel fresh no matter how many times it may be told. It’s a film that feels almost like you’re being wrapped comfortably within a blanket, but the more it continues flashing back and forth it also shows that there’s always a newer way to bring timeless stories of the sort to modern audiences, and for what’s only Gerwig’s second feature as a writer-director, it feels as if she’s on her way to becoming a talent for a generation.

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Incredibles 2 Review: Fourteen Years Waiting Had Paid Off Magnificently


The first Incredibles film is one of my favourite Pixar films, and it was one that begged for a sequel the moment it had ended. But given Pixar’s track record with franchising their own films (the only film with connections to preceding films to have really made its mark on me being Toy Story 3), it was also easy enough to be skeptical of what the results of Incredibles 2 would be. However, knowing that Brad Bird was going to be returning to write and direct, having wanted to develop a sequel to the first Incredibles film ever since its release, I already had hope despite knowing how much time it would take for Brad Bird to direct a sequel that he knew would deliver what audiences would have wanted to see in the many years of waiting. And if anything else were to be said about how the wait had paid off, Incredibles 2 may not live up to what the first film had set out for, but it is nonetheless a worthy sequel to possibly the most inventive superhero film to have come out in the past decade.

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The Post – Review


Steven Spielberg’s movies are either a fun time or a boring lecture. Those who have stuck around with his work for so long would already be able to recognize his trademarks regardless of the sort of films he makes whether it be his usual sentimentality or father-child issues – because they’ve pervaded the many sorts of films he makes whether they be fun for the masses or a historical drama. Quite frankly, I’ve never exactly been the hugest fan of many of Spielberg’s historical dramas (although Schindler’s List may be an exception I still have my own reservations about its handling of the subject matter) so The Post was not going to be a high priority for me. But after having been pleasantly surprised with Bridge of Spies, I figured it was worth giving a chance – and I’m glad I gave one to The Post.

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