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An extreme assault on one’s own senses, one that takes you in like a great punk rock song. In Alex Ross Perry’s Her Smell, you’re only left with this vague title describing something that can mean anything. It could even mean something pleasant because she’s wearing a whole lot of perfume in order to put on some fragrance for the show, but that’s also a part of what makes the whole film so wonderful in the same sense too. The third pairing of Alex Ross Perry and Elisabeth Moss isn’t only the most stressful film that they’ve made together, but it’s also the most chaotic of the sort. It’s chaotic in the sense that it shrouds you in everything that could lead to its own main character’s downfall, but Perry does not simply make his film only about the plight that one suffers in that sense. If there’s anything else that Alex Ross Perry has added to his own body of work with Her Smell, it’s a cementation for Perry’s name being among the most distinctive voices in American independent cinema. For all that said talent would be worth, this is where he finds himself having made his most significant work yet.
Cinema from the Spectrum 