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  June 27, 2025

  ‘Elio’ Review: Pixar’s Latest is Perfectly Fine, Nothing More, Nothing Less

  bodesulaiman

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  June 20, 2025

  ‘The Studio’ Review: Art Meets Absurdity in a Chaotic, Star-Studded Hollywood Satire

  Jack Cox

• 

  June 14, 2025

  ‘Materialists’ Review: Living in Celine Song’s Material World

  Jaime Rebanal

• 

  May 9, 2025

  Home Media Review: Anora 4K UHD (Criterion)

  Jaime Rebanal

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  April 4, 2025

  ‘Love Hurts’ Review: This Movie Doesn’t Deserve Ke Huy Quan

  Jaime Rebanal

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  March 20, 2025

  ‘The Monkey’ Review: Grief as a Child’s Play Thing

  Jaime Rebanal

• 

  March 15, 2025

  ‘Mickey 17’ Review: Dying Ain’t Much of a Living

  Jaime Rebanal

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  December 24, 2024

  ‘A Real Pain’ Review: Grieving Can Be Annoying, But It’s What Makes Us Human

  Jaime Rebanal

• 

  November 27, 2024

  ‘Deadpool & Wolverine’ Review: A Smug Victory Lap for Disney’s Fox Acquisition

  austinshinn

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  November 23, 2024

  ‘Nightbitch’ TIFF Review: Absurdist Motherhood Horror Comedy With Less Bite Than Its Title Suggests

  Jaime Rebanal