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  September 25, 2024

  ‘Saturday Night’ TIFF Review: All the Chaos and None of the Insight

  Jaime Rebanal

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  September 9, 2024

  ‘Anora’ TIFF Review: A Sex Worker’s Tragicomic Fairy Tale

  Jaime Rebanal

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  August 28, 2024

  ‘Dìdi’ Review: The Growing Pains of an Asian-American Kid in the 2000s

  Jaime Rebanal

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  July 3, 2024

  ‘Bad Boys: Ride or Die’ Review: They’re Never Getting Too Old For This

  Jaime Rebanal

• 

  July 1, 2024

  ‘Hundreds of Beavers’ Review: Expect Thousands More

  Jaime Rebanal

• 

  July 1, 2024

  ‘Kinds of Kindness’ Review: An Uneven Anthology Missing Lanthimos’s Provocations

  Jaime Rebanal

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  June 26, 2024

  ‘Inside Out 2’ Review: Riley Has Grown Up, but the Formula Hasn’t Yet

  Jaime Rebanal

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  May 13, 2024

  ‘Ghost Camera’ Review: Only from Toronto’s Underground Filmmaking Scene

  Jaime Rebanal

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  January 5, 2024

  ‘Saltburn’ Review: Pretty but Hollow Provocation

  Jaime Rebanal

• 

  December 29, 2023

  ‘Hit Man’ TIFF Review: An Action Story Too Good to be True

  Jaime Rebanal