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  July 1, 2024

  ‘Kinds of Kindness’ Review: An Uneven Anthology Missing Lanthimos’s Provocations

  Jaime Rebanal

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  June 26, 2024

  ‘Inside Out 2’ Review: Riley Has Grown Up, but the Formula Hasn’t Yet

  Jaime Rebanal

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  May 13, 2024

  ‘Ghost Camera’ Review: Only from Toronto’s Underground Filmmaking Scene

  Jaime Rebanal

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  January 5, 2024

  ‘Saltburn’ Review: Pretty but Hollow Provocation

  Jaime Rebanal

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  December 29, 2023

  ‘Hit Man’ TIFF Review: An Action Story Too Good to be True

  Jaime Rebanal

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  December 5, 2023

  ‘Poor Things’ Review: Perverted, Outrageous, Romantic, Exquisite

  Jaime Rebanal

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  December 2, 2023

  ‘May December’ Review: An Unflinching Look at the Aftereffects of Grooming

  Jaime Rebanal

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  November 16, 2023

  ‘Bottoms’ Review: It’s Camp, as They Say

  Jaime Rebanal

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  November 6, 2023

  ‘Dream Scenario’ TIFF Review: Nicolas Cage is the Man of Everyone’s Dreams

  Jaime Rebanal

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  November 5, 2023

  ‘Quiz Lady’ TIFF Review: Thirty Seconds and Good Luck, With Asian-American Women

  Jaime Rebanal