Taxi Driver – Review

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A voice crying for help inside of a city falling upon the ruins of itself. Martin Scorsese’s Taxi Driver gives that voice a perspective and just plays out as a perfect lash against the society occupying one’s mind. Quite arguably Martin Scorsese’s finest achievement as a filmmaker, Taxi Driver defines a generation so perfectly and in the years to come, it has still continued to shake viewers of all sorts – especially when there’s a specific illusion the world around oneself is creating that only greatness comes about. But maybe there was something more than Martin Scorsese and Paul Schrader had attempted to reach, which allowed Taxi Driver to remain as strong, perhaps even grow stronger within years to come. That having been said, its reputation as one of the greatest American pictures of the 1970’s, even all time for the matter, has remained without any challenge in its way.

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The Last Picture Show – Review

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This is a film I’ve always had some sort of a connection with in spirit. Even though I’m not one to speak from the generation to which it presents, there’s a specific pleasantness to which Peter Bogdanovich’s The Last Picture Show creates that has always enamoured me from the first moment I saw it. The Last Picture Show is a film that is drenched in nostalgia, but of a time and a paradise where we saw everything was easier for our own selves. The Last Picture Show‘s title alone hints at a sort of resentment to what the world around it has become and how its people have found such a comfort. Life without films, life without glory, The Last Picture Show paints such a beautiful picture.

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