Tag / daisy ridley

by Jaime Rebanal

‘Star Wars: The Rise of Skywalker’ Review: A Not-So-Grand Finale For the Skywalker Saga

✯½

It’s finally over, the Skywalker saga that began in 1977 with George Lucas’s Star Wars (or otherwise known as A New Hope), has finally ended with J. J. Abrams returning behind the camera to bring forth The Rise of Skywalker. One would already find themselves wondering where could the saga have gone following Rian Johnson’s radical approach to the series with The Last Jedi, which had divided many fans for betraying their image of the characters or the approach after having been reintroduced to them in The Force Awakens. In an attempt to hand the series back to those fans following the reception of The Last Jedi, The Rise of Skywalker concludes this long saga on a sour note.

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by Jaime Rebanal

Star Wars: The Last Jedi – Review

✯✯✯✯

Rian Johnson’s latest film, a Star Wars film for the matter – isn’t the sort that one would expect him to pull off, but even for those who have stuck so closely with the Star Wars franchise, they didn’t get the same story that they would have wanted. If The Force Awakens only was the welcoming return for the franchise to the big screen after George Lucas’s prequel trilogy has come to an end, through the reintroduction of nostalgia – then what Rian Johnson has set his audience in store for is more possibility, all from the fact that he of all people had went behind what we would want to recognize on the surface as a Star Wars film. But nevertheless if this film were proof of anything, it would be that Star Wars finds its way of speaking to many generations over the years.

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by Jaime Rebanal

Murder on the Orient Express (2017) – Review

✯✯

For all we know this probably isn’t going to be the last adaptation of Agatha Christie’s Murder on the Orient Express but after having already been adapted for the screen as a theatrical film in 1974 and twice for television, one can only expect that a recent spin would at least feel distinguishable because it would at least try to find a way to introduce the story to a newer audience. In some sense it would seem that Kenneth Branagh would be both the perfect choice not only to direct but also to star in the film as Christie’s Hercule Poirot, but quickly enough I was asking myself who exactly was this film being made for. For as appealing as the idea of a stylized period piece based on Agatha Christie can be, the marketing gave an idea it didn’t seem to know who it was for from the inclusion of an Imagine Dragons song. For as much as I’m thankful that awful song isn’t in the movie, it still rings off as exactly what I described prior; a new adaptation that has no idea who it’s for.

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