Plays out more along the lines of a really bad Black Mirror episode than an actual feature film. But given the odd marketing methods that have allowed the Cloverfield films to stand out amidst many, it also makes a case for what’s to be expected of The Cloverfield Paradox. While it’s respectable for someone like J. J. Abrams to allow a person of colour to helm a blockbuster whose diversity will undoubtedly shine, the film itself isn’t quite the game changer we would have wanted it to be since it happens to be the exact opposite. It’s the opposite because the fact it was released on Netflix less than 24 hours after it was announced also gives away the feeling that perhaps the film was never good enough to get a theatrical release and was merely dumped onto the streaming service like a direct-to-video film. It wouldn’t surprise me if that was the case for The Cloverfield Paradox because it certainly feels as if it was made as such.
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Quentin Tarantino’s movies always have had a delightful knack when it comes to their writing and callings towards older films but if Pulp Fiction were not proof enough that both can add perfectly to create something that feels so fresh, there comes Inglourious Basterds jumping at greater reach. Of the many films that Quentin Tarantino has made over the years, two films remain to be the ones that contain everything that show his own cinematic fascinations at their very most: Pulp Fiction and Inglourious Basterds. A certain power under Tarantino’s eyes is exhibited at some of its fullest in Inglourious Basterds – the very most he’s managed to achieve since his sophomore feature.
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For the record, I don’t dislike superhero movies in general, but I’m not a particularly big fan of the Marvel Cinematic Universe (so far, the only ones that really stood out to me that I really liked are Guardians of the Galaxy and Captain America: The Winter Soldier) and rarely would I call any of their offerings “bad” by any means. However, most of the time I find myself within a nonplussed state. As for more recent note, Captain America: Civil War leaves me with the same reaction which I carry towards the regular offering of the Marvel Cinematic Universe, with that said, it’s a film recognizing its target audience and for those who like these films, I can’t fault one, but I really wish I could feel the love that I know many are picking out from these films because I feel like I’m being left out. Continue reading →