UPDATE: The film ended up winning and I couldn’t have been any happier that it did.
You know that old saying where we don’t care about the Oscars in regards to their effect on our opinions of the films that were either nominated or have won? It’s easy enough to say that, but we still make ourselves watch the ceremonies at least because of the hope we retain in ourselves that maybe something we love so dearly has indeed been nominated and has a chance at winning. But considering just how strong a year this has been looking at the Oscar contenders this year, with Lady Bird, Get Out, and Phantom Thread up in the running for Best Picture, it’s easy to be satisfied with any of them. But if I had to pick one film from all of these, I think that The Shape of Water would be my go-to. And without further ado, here are among the many reasons that not only do I think it would be a suitable winner, but why it is also my favourite film of 2017 while we’re at it.
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Another year is complete, but not without having talked about the wonderful experiences we’ve had at the cinemas. Together with the not-so-wonderful films. But alas, this has been an extraordinary year for films for the highlights still managed to stick their landing inside of our minds – and the inevitable “what about such and such?” will come but I will remind you that it would have been outright impossible for me to have been able to catch virtually every movie that had come out the previous year to make sure I wouldn’t forget other highlights that may not have made it.
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Many creative minds have left their touch upon the fantasy genre, but never in the way that Guillermo del Toro has offered his very own in Pan’s Labyrinth. Revolving around the concept of imagination and what it does to us as we grow older, what we are left with is not only one of the greatest fantasy films to have come out in the 21st century, but also one of the most creative projects of its own kind. It’s already one to admire the imagination of a man like Guillermo del Toro, but when watching Pan’s Labyrinth, you’re seeing everything put at its very fullest. He tells a tale that clearly is so personal to him, and the evidence is clear when you pick up on its influences, no matter what they range from: fairy tales, Victor Erice’s The Spirit of the Beehive, the hardships encountered in childhood; all forming something so magnificent in Pan’s Labyrinth. Continue reading →