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  September 25, 2025

  TIFF 2025 — ‘Roofman’ Review: An Outrageous True Story Gets Told As It Sounds

  Jaime Rebanal

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  September 22, 2025

  TIFF 2025 — ‘Mile End Kicks’ Review: Growing Pains in Montreal’s Indie Rock Scene

  bodesulaiman

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  September 18, 2025

  TIFF 2025 — ‘Wake Up Dead Man: A Knives Out Mystery’ Review: Benoit Blanc Returns with the Same Tricks

  Nathan Sherwood

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  September 13, 2025

  TIFF 2025 — ‘If I Had Legs I’d Kick You’ Review: Darkly Comic and Unsettling

  Jack Cox

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  September 4, 2025

  TIFF 2025 — ‘The Secret Agent’ Review: Deconstructing Authoritarianism Through Art

  Connor Walsh

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  September 4, 2025

  TIFF 2025 — ‘Sentimental Value’ Review: It’s What Art is For

  Jaime Rebanal

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  July 28, 2025

  ‘The Most Perfect Perfect Person’ Short Film Review: A Disorienting Demand to Constantly Perform

  Jess Klimowski

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  July 25, 2025

  ‘F1’ Review: Not Quite for Formula 1 Fans, But It Nails the Races

  Jaime Rebanal

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  July 13, 2025

  ‘Sorry, Baby’ Review: An Imperfect, But Reassured Directorial Debut

  bodesulaiman

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  July 9, 2025

  ‘Universal Language’ Review: Matthew Rankin’s Beautifully Bizarre Dreamscape

  Jack Cox