• 

  December 5, 2023

  ‘Poor Things’ Review: Perverted, Outrageous, Romantic, Exquisite

  Jaime Rebanal

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  November 14, 2023

  ‘The Boy and the Heron’ TIFF Review: Late-Period Miyazaki Reminiscing About His Youth

  Jaime Rebanal

• 

  November 6, 2023

  ‘Dream Scenario’ TIFF Review: Nicolas Cage is the Man of Everyone’s Dreams

  Jaime Rebanal

• 

  August 8, 2023

  ‘Barbie’ Review: Can a Toy Commercial Truly Be Radical?

  Jaime Rebanal

• 

  June 28, 2022

  ‘The Northman’ Review: Valhalla Arises in Robert Eggers’s New Epic

  Jaime Rebanal

• 

  July 1, 2020

  ‘The Tale of the Princess Kaguya’ Review: A Beautiful Fairy Tale Far Beyond Simply Modern Reinvention

  Jaime Rebanal

• 

  June 18, 2020

  ‘Princess Mononoke’ Review: Hayao Miyazaki’s Bloodiest is Among His Most Breathtaking and Humanistic

  Jaime Rebanal

• 

  May 19, 2020

  ‘Castle in the Sky’ Review: The Adventurous Spirits in Miyazaki’s Vision

  Jaime Rebanal

• 

  May 8, 2020

  ‘Kiki’s Delivery Service’ Review: How Miyazaki Finds Magic in What We Love

  Jaime Rebanal

• 

  May 3, 2020

  ‘Nausicaä of the Valley of the Wind’ Review: Miyazaki’s Search for Hope Under Bleak and Tragic Circumstances

  Jaime Rebanal