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  October 22, 2025

  ‘Black Phone 2’ Review: Survivor’s Guilt Stays With You

  Nathan Sherwood

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  October 20, 2025

  TIFF 2025 — ‘The Voice of Hind Rajab’ Review: Innocence Under Fire, and the Courage that Answers It

  Jack Cox

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  October 14, 2025

  TIFF 2025 — ‘Obsession’ Review: Don’t Let Your Crushes Get to You

  Nathan Sherwood

• 

  October 9, 2025

  TIFF 2025 — ‘Eleanor the Great’ Review: An Ambitious Directorial Debut that Drops the Ball and Never Quite Recovers

  bodesulaiman

• 

  October 8, 2025

  ‘One Battle After Another’ Review: This Revolution Will Be Televised

  Jaime Rebanal

• 

  October 6, 2025

  TIFF 2025 — ‘John Candy: I Like Me’ Review: A Celebration of a Canadian Legend

  Nathan Sherwood

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  October 6, 2025

  TIFF 2025 — ‘Carolina Caroline’ Review: Bonnie and Clyde with a Modern Edge

  Jack Cox

• 

  October 1, 2025

  TIFF 2025 — ‘Fuck My Son!’ Review: You Read the Title, You Know What You’re Getting

  Nathan Sherwood

• 

  October 1, 2025

  TIFF 2025 — ‘Hedda’ Review: Filmed Theatre Done Wonderfully

  Connor Walsh

• 

  September 30, 2025

  ‘The Smashing Machine’ Review: Finding Beauty in What’s Broken

  Jack Cox