‘Princess Mononoke’ Review: Hayao Miyazaki’s Bloodiest is Among His Most Breathtaking and Humanistic


Princess Mononoke is arguably Hayao Miyazaki’s largest film by scale since 1984’s Nausicaä of the Valley of the Wind, and it is also his second greatest achievement as a director. There aren’t many animators who bring so much life to their worlds quite like how Hayao Miyazaki does it, but for every bit as imaginative as these movies can get, the impressiveness of how immersive these films are is reflected beautifully through their real-world parallels. In Princess Mononoke, Miyazaki finds himself taking upon a very complex moral standing through a war being waged between nature and humanity – and every moment of it is as beautiful as one could ever hope for it to be.

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The Last King of Scotland – Review


General Idi Amin’s rise to power and his own erratic behavior can already make for an interesting subject to capture on film, which is exactly what Kevin Macdonald aimed to capture in The Last King of Scotland. Yet for every trace this film has that can signify something far greater it unfortunately falls down at the hands of another story being told at the exact same time, and this portion isn’t nearly half as interesting. That’s not to say a bad film is what we’re left with but rather instead what we have been given is in part something that could have been great because of the craft behind how a story like this is being captured on film. Then amidst all of that, it stops to tell another. The mix that we are left with is exactly what Kevin Macdonald provides in The Last King of Scotland, forming a product that feels only serviceable at its very best.

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