In order to continue keeping this site as active as possible while I have not been able to write as many full-length film reviews as I had planned initially, I figured that another solution would have come by in placing my Letterboxd entries starting from the week before here as a placeholder for eventual full-length reviews that are set to come by, if I were able to find the time to write another one. But as is, these are quick thoughts that I figure would be nice to keep afloat so that the site will remain active on a regular basis.
First-time viewings are noted as such. You can follow me on Letterboxd right here.
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Bong Joon-ho’s Parasite is an important first for South Korean cinema history, being their first film to win the Palme d’Or at the Cannes Film Festival, but after having submitted films to compete for the Academy Award for Best International Feature Film (then known as the Academy Award for Best Foreign Language Film), Parasite has not only become the first South Korean film to receive a nomination following the shortlisting of Lee Chang-dong’s Burning at the 91st Academy Awards in said category, but it has also received nominations for Best Director, Best Original Screenplay, and Best Picture – becoming the first film produced by an East Asian country to receive such recognition since Crouching Tiger, Hidden Dragon.
This being one of the most stacked years in recent memory at the Academy Awards, with the most nominated film being a comic book film that still sparks controversy (Joker), fellow nominees also include a WWI epic emulating the look of a single continuous long take (1917), Martin Scorsese’s biggest film since Casino (The Irishman), and a revisionist love letter dedicated to 1960’s Hollywood (Once Upon a Time in Hollywood). Yet Bong Joon-ho’s Cannes winner still stands atop everything else – at least in my eyes. Seeing Parasite being up for Best Picture felt exciting, because of the doors it opened from its nomination. And of course, I just can’t think of another film more deserving of the honours, in such a fantastic year for film. So without further ado, here are my ten reasons Bong Joon-ho’s Parasite should win Best Picture.
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