‘Midsommar’ Review: Ari Aster Takes the Term “Date Movie” A Whole Other Level


After Hereditary, Ari Aster was already signifying some promise coming along the way for his sophomore feature and with Midsommar, he does so much more than live up to the promise that was headed his way. In many ways it’s also far more experimental than his previous effort, given the larger scale he’s made to work with in this case but he comfortably adjusts to the greater scope of this project and maybe that might also mean he’s also putting himself at risk of becoming too caught up even in his own ambition. There are many ways you can describe where one’s expectations will land before seeing Midsommar, because Ari Aster’s style of horror will only ever remain as divisive as ever – and to say the least, Midsommar will only reaffirm how strongly one feels about his work on either end of the spectrum. Will it even matter what you think of Hereditary coming into this? Perhaps, but I feel like I can already see Ari Aster turning into a giant inside his own league with that and Midsommar on his belt.

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Free Fire – Review


Ben Wheatley has always been a complicated case for myself and Free Fire shows another side to him that may prove itself more accessible put next to the rest of his films. I went into Free Fire wondering what this new route would have done for Wheatley then I got a mixed bag of results. On one hand, the idea that is being presented here is something to which I have great admiration for, but on another hand, I’m not exactly sure that I got enough of it presented here and I wonder how much it would benefit either from trimming or extension. This was something that has always run through my head when I watch Wheatley’s films, they have ideas that don’t always come fully realized but he’s a director I admire on the count that he tries to reach out for more through the unorthodox.

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