Safety Not Guaranteed – Review

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Colin Trevorrow’s debut film Safety Not Guaranteed was a film I remember having enjoyed upon my first sighting of it, when I was going out of my way to seek out quirky independent films as a means of passing time. Coming back to it now after seeing what more had Colin Trevorrow become after the abysmal nostalgia-sucking experience of Jurassic World didn’t help any better, for what I’ve once seen in Safety Not Guaranteed now comes off as a stereotypical indie film just the way I see everything coming about. The quirky characters and equally quirky premise, starring actors who’ve already made names for themselves in other smaller films – this easily could be great. But after a long period of time having gone without seeing Safety Not Guaranteed only ever showed an incomplete film to my very own eyes, in the sense that it seems to build up to become so much more – and then suddenly everything just stops.

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The Mummy (2017) – Review

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It already seems as if we’re getting cinematic universes after another at this rate that stretch outside the likes of Marvel and DC, for now we also have Legendary’s MonsterVerse and now Universal is chiming in by reviving classic horror movie icons for the Dark Universe. To say they’ve started things off interestingly is one thing, because I’m still struggling with trying to deconstruct what it is that I’m really feeling about The Mummy right after having seen it because it only seems like this new cinematic universe will probably not go the way it was planned to be; and yet somehow that’s a part of why The Mummy only resulted in such a baffling experience. I was far too busy laughing at the stupidity of where it was going to the point I couldn’t say I was ever finding myself getting bored, yet at the same time that’s a part of why it’s difficult enough for me to even say it allows the Dark Universe to show promise.

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