North by Northwest – Review

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The famous espionage story we’ve already come to know done to the very best of its ability. An innocent man getting himself tangled into a case of mistaken identity, and the quest to clear their own name – something that we can only expect Alfred Hitchcock to make the very best from, and with North by Northwest, he has done exactly that and formed what is without a doubt one of his very best films. But of course one can only count on Alfred Hitchcock to have made some of the most exciting thrillers of Hollywood’s classic era, and nowadays they still wouldn’t lose a touch of what made them exciting to watch during their time. But the case with Hitchcock is that his thrillers haven’t only been the very best of their own genre, for films like North by Northwest only show why he was among the most clever of filmmakers working in Hollywood, he was one of the very best in general.

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A Star is Born – Review

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Essentially the catalyst for success stories being made within Hollywood about an industry, but to talk about George Cukor’s A Star is Born in this manner only understates what more it is on the inside. And coming to think of what was already expected from the Academy at the time, one of their biggest crimes was giving the Best Actress award to Grace Kelly for The Country Girl. For not only is Judy Garland’s performance one to define her own career as her very best, it also signifies one of the very highest points that Hollywood’s classic era has ever managed to reach. I’m not even sure how it was possible to make something like this back in the day come out as perfectly, even at the hands of excessive editing from studio executives – there’s a greater tragedy being reflected in A Star is Born that only solidifies it as a musical to define both the era and cinema as a whole.

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