‘Dark Phoenix’ Review: A Sour Final Note for the X-Men Series


Following Hugh Jackman’s final tenure as the Wolverine in Logan, the X-Men series finally comes to its own end by directly adapting the Dark Phoenix Saga – if the title wouldn’t already give that away. But even as a story of this sort would have had so much potential given what the X-Men have always stood for in their long run on the big screen, Dark Phoenix doesn’t even feel engaged with its own story to feel like there’s any sense of closure coming about. It doesn’t even feel like it was made to be a proper ending to this series with Disney having acquired Fox as a means of getting the rights to include the X-Men into the Marvel Cinematic Universe. For his directorial debut, it doesn’t even seem Simon Kinberg was even prepared to give this an ending and thus he tried to make Dark Phoenix too many things all at once but there was never a point in time when it ever felt like it were on its way to adding up properly. It doesn’t have anything to answer now that it’s all come to a finish, but it’s not quite the disaster it could have been with all the constant reshoots pushing the film back over and over again.

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‘Glass’ Review: M. Night Shyamalan’s Belated Sequel Fulfills its Shattered Potential


M. Night Shyamalan’s Glass is a film that seems to feel like in its own sort of league from the many other superhero films that also come out over the years, and that’s one among a few things that I find to be most welcoming about it. Nearly twenty years after the release of Unbreakable came out and offered a refreshing perspective on the superhero genre, with its deconstruction of the general structure, Shyamalan’s many ideas continued flowing with the potential of reaching a greater stature. When Split came out in 2017, there was that reminder Shyamalan has yet to lose his touch – because of the bridge presented between the two films. So with bringing both films together in Glass, one would only be left wondering how much further can we bring these ideas to come together in order to create a different sort of superhero film by bridging the gaps between both films. For a while, I’ve been wondering about how exactly everything would be culminating in the end, and though I didn’t quite get the answers that I was hoping for, there’s still a lot to be admired about what how the threads come together in Glass.

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Atomic Blonde – Review


I’m still not sure how exactly did something like Atomic Blonde, carrying so much unexpected promise from the idea of one of the original directors of John Wick going solo to helm this, with Charlize Theron leading the way, with a soundtrack that goes from The Clash, New Order, Depeche Mode, and David Bowie – would end up becoming as disappointing as this. After Chad Stahelski has found himself achieving success from directing John Wick: Chapter 2 solo, I’m not sure what is left of David Leitch’s future after this, because the lack of Stahelski by his side shows that there’s still something missing in what could have made itself a female equivalent to John Wick. And given as it was exactly what I was hoping for, I was disappointed that it wasn’t a female equivalent in such a sense, more just a hollow imitator.

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The Last King of Scotland – Review


General Idi Amin’s rise to power and his own erratic behavior can already make for an interesting subject to capture on film, which is exactly what Kevin Macdonald aimed to capture in The Last King of Scotland. Yet for every trace this film has that can signify something far greater it unfortunately falls down at the hands of another story being told at the exact same time, and this portion isn’t nearly half as interesting. That’s not to say a bad film is what we’re left with but rather instead what we have been given is in part something that could have been great because of the craft behind how a story like this is being captured on film. Then amidst all of that, it stops to tell another. The mix that we are left with is exactly what Kevin Macdonald provides in The Last King of Scotland, forming a product that feels only serviceable at its very best.

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Split – Review


M. Night Shyamalan is a fascinating name even if his films may be a failure in your eyes. Personally, I’ve never been a fan of some of his most notable works (and that includes The Sixth Sense) but something about his films has always drawn me towards them even if I’m not a fan of the final product. In terms of his most recent work, The Visit showed he was regaining a sense of his old glory through a bit of self-awareness and while I was not a fan of the film in itself, it showed potential for something more. If Split were an unleashing of what potential did The Visit show, then it can only go ahead to convince me I’m looking forward to Shyamalan’s next product.

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