2018: Another Year of Cinema Come and Gone

This year was a real game changer for a person like myself. To kick things off, it was the first year in which I was able to attend TIFF as a press member rather than as any other audience member. It was a defining moment for myself, though I don’t want to brag a little too much about what happened there. It was just a good year for cinema in general. That’s all I can really say, and I want to bring more attention to the many films that I absolutely loved this year – and so many of them came around this year and so forth. We’re already nearing the end of a decade, and through the good and the bad, the cinema has always been able to provide nothing but the greatest pleasures through and through. Although as we look through the films that have come to define 2018 as a whole, there were many surprises that came along the way just as there were disappointments – all of which came in between the very best and the worst in cinema through the year. So without further ado, let us begin. Continue reading →

Christopher Robin Review: Disney’s Ode to Nostalgia Is a Heart-Warmer

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I don’t know a single person whose childhood never included Winnie the Pooh in any way, shape, or form. He was always that presence that some of us recognized for the fact that he always represented the pleasantness that we had loved most about childhood, and for that alone it was always a most comforting moment for us in our lives. But those memories fade away from us in the same way that they had done for the young Christopher Robin Milne, who later grew to distance himself from the creations of his own father. In the case with Disney’s own Christopher Robin, we already have a reminder as to how important it is to have felt such joy in our lives, no matter how small it may be – you just know it was always there. It would be in knowing this you already feel Christopher Robin being a great film for the family, because sometimes we need that reminder it should be made into something more and from the simplest words, it may indeed have come from nothing.

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The Princess and the Frog – Review

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Disney’s The Princess and the Frog is amongst their last hand-drawn animated features and what’s all the more saddening about such is how amongst their most recent fare it feels so rarely heard about even with what recognition it received upon release. But knowing what the studio was best at during their Renaissance era when it came to what they have turned well-known tales into for the screen, it was only all the more of a pleasure to see what Ron Clements and John Musker of The Little Mermaid fame have brought to the screen for not only is it their most underrated work but it also happens to be my favourite film of theirs since the end of the Renaissance era.

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