In order to continue keeping this site as active as possible while I have not been able to write as many full-length film reviews as I had planned initially, I figured that another solution would have come by in placing my Letterboxd entries starting from the week before here as a placeholder for eventual full-length reviews that are set to come by, if I were able to find the time to write another one. But as is, these are quick thoughts that I figure would be nice to keep afloat so that the site will remain active on a regular basis.
First-time viewings are noted as such. You can follow me on Letterboxd right here.
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It goes without hesitation that John Ford perfected the western genre for all of American cinema especially when films like The Searchers exist, but going more into the great filmmaker’s body of work, we come down to My Darling Clementine which showcases some of the director’s very best capabilities. With My Darling Clementine, what John Ford presents on the screen are the director’s own abilities with moving forward stories and in turn what he leaves behind is one of the most compelling westerns to have been put to the screen. However, when it comes down to Ford’s manners of looking upon the story of what happened on the O. K. Corral (the finest interpretation of the story to have been put on film), a sort of genre-blending wonder comes into play and it soon becomes all the more remarkable. Continue reading →
A lot seems to have changed amidst the perspectives from watching The Searchers at different points of my life. My first viewing from childhood left a mark on my life that has never faded away. Looking at The Searchers amidst a more critical standpoint only further solidifies how highly I think of it. At this point, John Ford has mastered story structure in such a manner that everything is so seamless from start to finish, it could not be any better a film than it already stands out to be. Often hailed as the greatest American western, the reasons behind such a lofty reputation flash so clearly on the screen. In all the beauty which it displays, it is also a film so scathing with its views on the intolerance flooding society that still bites perfectly well today.
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