Molly’s Game – Review


This is the unfiltered version of Aaron Sorkin, now that he finally went behind the camera to direct Molly’s Game. I consider myself a fan of Aaron Sorkin’s quick and witty delivery but there’s also a point to which I felt that a lack of filter for once with Sorkin’s trademarks can become rather excessive and knowing that this is a product that speaks Sorkin through and through, now it’s easier to see where his indulgences end up getting in the way. That said, I don’t want to give away the idea that I didn’t enjoy Molly’s Game, because I don’t see myself ever resisting the sound of Sorkin’s smart-sounding dialogue coming out of Jessica Chastain’s tongue and I got what I expected.

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Hidden Figures – Review


In truth my expectations were never going to turn out incredibly high for Hidden Figures because it seemed like a rather safe approach upon a subject whose importance still remains intact with America’s history and I got exactly that. In some ways, Theodore Melfi’s Hidden Figures just came out to remind me of Tate Taylor’s The Help, in the sense that I was getting a feel-good film for American people that would make modern audiences feel better about what direction they’ve gone since, but in another it was a film whose good intentions went blanketed by stereotypes of the period appearing so bluntly – and it never sits well with me when these conflicting messages come about.

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