Kenneth Lonergan’s Margaret is a film that feels troubled at the center much like the history behind its release: going towards lawsuits that ultimately delayed its release until 2011 (it was scheduled for a 2007 release) along with several edits having been made, leaving no sense of a definitive vision behind. Yet with all this having been said, it still works beautifully and almost in a sense feels like a journey that mirrors its struggle to reach the big screen. But there’s something more to which it calls for by referencing a specific poem through its own title, through its final verse, “it is Margaret you mourn for.” The doom that Margaret would have almost found itself at the risk of facing is still present in hand, but to what degree is it paying off? In Kenneth Lonergan’s film, it could not ever be more affecting than what he shows us here. Perhaps it may be a mess, but it also reinforces what works so perfectly about Margaret.