Christopher Robin Review: Disney’s Ode to Nostalgia Is a Heart-Warmer

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I don’t know a single person whose childhood never included Winnie the Pooh in any way, shape, or form. He was always that presence that some of us recognized for the fact that he always represented the pleasantness that we had loved most about childhood, and for that alone it was always a most comforting moment for us in our lives. But those memories fade away from us in the same way that they had done for the young Christopher Robin Milne, who later grew to distance himself from the creations of his own father. In the case with Disney’s own Christopher Robin, we already have a reminder as to how important it is to have felt such joy in our lives, no matter how small it may be – you just know it was always there. It would be in knowing this you already feel Christopher Robin being a great film for the family, because sometimes we need that reminder it should be made into something more and from the simplest words, it may indeed have come from nothing.

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Stay – Review

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I’m not going to deny how a certain amount of concentration is required for films in order to get a grasp of their ideas, but when I think of a film like Stay, the way I see it is that it feels more like a film that wants you to concentrate without necessarily earning any of it because it just presents emptiness all around. All I can ever pick up from every oddity arising from the manner to which Stay had been made only went on to annoy me more, because it never seemed justified. Instead, it struck me as Marc Forster attempting to ape on David Lynch’s style, and doing it so poorly to the point I’m just sitting there for every minute while it lasts reminding myself I would much rather be spending that time watching Mulholland Drive. Continue reading →