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I thought for a minute that after Loving Vincent I would be put off from watching more films about the life of Vincent Van Gogh, yet Julian Schnabel comes out with a new take on the life of the troubled painter with At Eternity’s Gate. But there’s something about a mix like this that would only make a blend seem so incredibly tempting, and it’s made clear through the fact that Schnabel’s work had also been influenced by his own artistry as a painter, therefore his view of the very artistic process that would have allowed Vincent Van Gogh to become so distinctive would have that added touch of being told by another artist in that same regard. Schnabel’s mindset as a painter also adds yet another dimension to exploring the troubled psychology of an artist like Vincent Van Gogh, because it’s be difficult enough to describe what went on in his mind. But perhaps it would only be fitting enough that the film about his own artistic vision would be equally baffling in that same measure and if there were anything else that allowed At Eternity’s Gate to become so mesmerizing, it would already come forward in Willem Dafoe’s portrayal of the artist.
Cinema from the Spectrum 