Jaime Rebanal updates again with another series of diary entries covering the past two weeks of film viewing.
Thomas Vinterberg's latest film seems to have sunken itself upon arrival, like the tragedy it recalls.
Limited within one perspective, only to highlight a feeling to empathize with. (✯✯✯✯✯)
Terror has never felt so close up. (✯✯✯✯✯)
One of the grandest tales of poverty the screen has seen. (✯✯✯✯✯)