Sebastián Lelio's remake of his own film isn't a mere shot-for-shot copy of his original but rather a polishing.
Another year is complete, but not without having talked about the wonderful experiences we've had at the cinemas. Together with the not-so-wonderful films. But alas, this has been an extraordinary year for films for the highlights still managed to stick their landing inside of our minds – and the inevitable "what about such and such?" [...]