Absolutely Anything – Review


Honestly not sure who exactly to feel sad about more in this case, but with Absolutely Anything it’s hard enough: on one end it’s Robin Williams’s last film and on the other it’s the last we’ll ever see of the remaining Monty Python members inside of a film together. But why exactly is it a sad thought in the first place on either end? It’s a sad thought that this may be the last we will see on both ends (certainly the last on Williams’s end) because Absolutely Anything is just a flat out terrible film. If Absolutely Anything turns out to become the last that we’ll ever see of Terry Jones as a director, then it’d only pain me even more to see the Python leaving on such a distasteful note.

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Brazil – Review


Terry Gilliam’s Brazil is one of the biggest struggles I’ve had in a long time, not in the sense that it is a bad film, but because I find it so hard to pinpoint every last detail about why I love such a film. On first watch, I had a very odd impression of it and it didn’t leave very much of a clear taste in my mouth, but over the years, my love for the film has developed and it has quickly become a film that only goes to remind me of the intelligence to be found in such an art form. Brazil just goes to remind me what I love about movies in the first place. In that sense, I always love how a film like this is willing to play around with our own senses, but it leaves more that resonates like many of my own favourites do. Brazil is truly something remarkable. Continue reading →