Sofia Coppola and How Male Obsession Amplifies Female Pain in The Virgin Suicides: A Review

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Sofia Coppola’s directorial debut The Virgin Suicides is a teen film with a dreamlike quality that is so rare for the genre, but it is within this quality alone where you have a directorial debut so fully realized it’s difficult to even believe that it was a first feature. Though to talk about what it is that this movie manages to accomplish as a teen drama, everything starts from the way in which it is structured – for it plays out like a fantasy in order to emphasize one’s perspective that understands circumstances like a mystery. In telling the story of the suicides of the Lisbon sisters, who have been loved by a group of teenage boys for obvious reasons, there is yet another dimension to this story that only a director like Sofia Coppola can bring to the table that would also make this one of the best teen films of the 90’s, let alone ever. As Sofia Coppola frames this as a story about teenage obsessions and how they affect the way we grow, what she also shows us in The Virgin Suicides is a darker side of growing up that is so often misunderstood by the images that have been set inside one’s head.

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