Absolutely Anything – Review


Honestly not sure who exactly to feel sad about more in this case, but with Absolutely Anything it’s hard enough: on one end it’s Robin Williams’s last film and on the other it’s the last we’ll ever see of the remaining Monty Python members inside of a film together. But why exactly is it a sad thought in the first place on either end? It’s a sad thought that this may be the last we will see on both ends (certainly the last on Williams’s end) because Absolutely Anything is just a flat out terrible film. If Absolutely Anything turns out to become the last that we’ll ever see of Terry Jones as a director, then it’d only pain me even more to see the Python leaving on such a distasteful note.

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The Fisher King – Review


The Fisher King is one of those movies that really feels so messy but in the end it’s such a wonderful mess. It’s messy in the sense that it is also using this nature to itself in order to fully embrace what it is about. And at that, there’s still more wonder to be found within Terry Gilliam’s The Fisher King. Sure, it’s no Brazil but it’s one to win the heart of even a cold soul like myself. It’s the sort of lack of balance that works to such an amazing degree. Considering how it would have come off for me at first glance as something that shouldn’t work, yet the whole time I couldn’t help myself. It was just nothing short of playful, and somehow, it managed to work its way to becoming both joyous and emotionally hard-hitting at the same time, and never does it fall down to the levels of cheap sentimentality – something that I know Gilliam would never stoop down to. Continue reading →

Dead Poets Society – Review


Something gives me a feeling that I’m only going to be all the more frustrated by what Dead Poets Society has left out as I think of it more. A part of me that loves Peter Weir and Robin Williams is begging for myself to love it, but in turn my experiences with Dead Poets Society become all the more frustrating. There are many good intentions to be found within such a film but in turn I can’t help but say this is possibly, if not, the one Peter Weir film that I like the least. For how wonderful films like The Truman Show or Picnic at Hanging Rock are, this and Master and Commander: The Far Side of the World stuck out to me as the most underwhelming entries from his body of work. As it stands, Dead Poets Society is a film that only managed to accomplish half of its goal. Continue reading →