• 

  December 5, 2023

  ‘Poor Things’ Review: Perverted, Outrageous, Romantic, Exquisite

  Jaime Rebanal

• 

  June 6, 2023

  ‘Past Lives’ Review: A Somber Love That Almost Was

  Jaime Rebanal

• 

  November 13, 2022

  ‘Decision to Leave’ TIFF Review: A Seductive, Erotic Mind Game from Park Chan-wook

  Jaime Rebanal

• 

  September 27, 2022

  ‘Bros’ TIFF Review: Baby Steps First, but a Nice Leap for Mainstream Queer Representation

  Jaime Rebanal

• 

  March 25, 2022

  ‘West Side Story’ Review: The Perfect Reintroduction of a Classic Musical

  Jaime Rebanal

• 

  December 17, 2019

  ‘Wild at Heart’ Review: A Tender, Twisted, Dark Love Story from David Lynch

  Jaime Rebanal

• 

  December 10, 2019

  ‘Queen & Slim’ Review: A Gripping, Yet Frustratingly Safe Tale of Survival

  Jaime Rebanal

• 

  November 19, 2019

  ‘Atlantics’ TIFF Review: Mati Diop’s Feature Directorial Debut is Hauntingly Gorgeous

  Jaime Rebanal

• 

  October 19, 2019

  ‘First Love’ TIFF Review: Takashi Miike’s Touch Still Remains Intact Over 100 Films in His Career

  Jaime Rebanal

• 

  August 31, 2019

  ‘Before Sunset’ Review: Taking that One Chance That Got Away All Over Again

  Jaime Rebanal